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Independent filmmaking continues to thrive on creativity, originality, and fearless storytelling. One recent example is LIGHTS OFF, the horror-comedy short film that has earned official selections at 12 prestigious horror film festivals around the world, establishing itself as one of the standout independent genre productions of the festival circuit.
Directed by Mark Stewart Iverson and written by Joseph Neibich, LIGHTS OFF delivers a clever and entertaining premise that combines supernatural horror with comedic timing.
The film follows a man who turns off the lights in his home only to discover that his house has been possessed by a seductive demon. What follows is a series of hilarious encounters as he is forced to rely on his wit and ingenuity to outsmart the forces of evil.
While the concept is playful, the execution showcases the craftsmanship and creativity that have made the film resonate with audiences and festival programmers alike.
The success of LIGHTS OFF has been reflected in its impressive festival run. The short film was selected by 12 highly respected horror festivals, reaching audiences across North America and Europe.
Among its festival appearances are:
The film has also screened in cities including Vienna, Milwaukee, Chicago, Atlanta, Toronto, Phoenix, Tucson, and many others, further expanding its international reach and growing fan base.
For independent filmmakers, festival recognition is more than an accolade—it is a testament to the film’s ability to connect with audiences who are passionate about genre cinema. The reception of LIGHTS OFF demonstrates the enduring appeal of inventive storytelling and character-driven horror comedy.
The achievement of LIGHTS OFF is the result of a talented creative team whose dedication helped bring the project to life.
Director Mark Stewart Iverson guided the vision of the film, while writer Joseph Neibich crafted a screenplay that balances humor and horror with remarkable effectiveness.
The cast, led by Joseph Nybyk, brought the story’s eccentric characters to life, helping create the charm and energy that audiences have embraced.
Behind the camera, cinematographer Tomas Arceo delivered the visual style that enhances both the comedic and supernatural elements of the film, while editor Rob Jaeger shaped the final cut into the fast-paced and engaging experience that has captivated festival audiences.
The festival success of LIGHTS OFF highlights the strength of independent filmmaking and the growing appetite for genre films that are willing to take creative risks.
With its unique blend of comedy, horror, and memorable performances, LIGHTS OFF has proven that even a short film can leave a lasting impression on audiences around the world.
As the film continues its journey through the festival circuit, it stands as a celebration of independent creativity and a reminder that great storytelling can thrive even in the darkest of places—especially when the lights go off.
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