Greye toyed with different sonic ideas, including an Elton John styled piano driven version helmed by Kenn-e Williams’ keyboards, before opting for the slow burning power ballad, build and release excitement the track now has. Ken-e got in on the action by adding a dramatic keyboard driven “stab” element, and big vocal background “oohs” for heart-tugging emphasis.
As the song’s original writer, Jett offers some keen insights into why he’s blown away with what “Everything” has evolved into: “Comparing the original to the current version, the production is not even the same sport, so to speak, because not only is it on a whole other sonic level, we have the kind of confidence that comes from having played hundreds of subsequent shows and the addition of so encouraging individuals in our universe like mastering engineer Brian Reeves.